{"id":512,"date":"2023-08-08T17:55:53","date_gmt":"2023-08-08T15:55:53","guid":{"rendered":"https:\/\/pjsugier.com\/portfolio-item\/claire-deweggis\/"},"modified":"2023-09-15T18:18:53","modified_gmt":"2023-09-15T16:18:53","slug":"claire-deweggis","status":"publish","type":"portfolio","link":"https:\/\/pjsugier.com\/en\/portfolio-item\/claire-deweggis\/","title":{"rendered":"Claire Deweggis"},"content":{"rendered":"

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Claire Deweggis<\/span><\/h1>[\/vc_column][\/vc_row][vc_row][vc_column]
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<\/div>\r\n\t\t\t<\/div>\r\n\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1694794336421{padding-bottom: 32px !important;}”]Lives and works between Paris and Venice.
\ndeweggis.com<\/span><\/a>[\/vc_column_text][vc_column_text text_style=”subtitle” css=”.vc_custom_1691509184667{padding-bottom: 10px !important;}”]Solo exhibitions <\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1694794359994{padding-bottom: 10px !important;}”]<\/p>\n
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  • 2023 : \u00ab D\u00e9nis d’Architectures \u00bb, Paris<\/li>\n
  • 2022 : \u00ab Moved \u00bb, Palazzo Morosini del Pestrin, Venise<\/li>\n
  • 2021 : \u00ab Paris-Venise \u00bb, Paris<\/li>\n
  • 2019 : \u00ab Permanences \u00bb, Paris<\/li>\n<\/ul>\n

    [\/vc_column_text][vc_column_text text_style=”subtitle” css=”.vc_custom_1694794377038{padding-bottom: 10px !important;}”]Education<\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1694794405072{padding-bottom: 10px !important;}”]<\/p>\n

      \n
    • 2018-2023 : Chambre Grand Format (EPSAA, Ivry)
      \nH\u00e9liogravure (Atelier-Mus\u00e9e de la Gravure, Cachan)
      \nMasterClasses @ Empreinte Barrantes-Corratg-Lafolie<\/li>\n
    • 2014 : Dipl\u00f4me de Gemmologie (IV, Institut National de Gemmologie)<\/li>\n
    • 2008 : Esth\u00e9tique et paysage, EHESS\/CNRS, dir. Augustin Berque<\/li>\n
    • 2000 : Management des Entreprises Culturelles, Agecif<\/li>\n
    • 1996 : Master Sp\u00e9cialis\u00e9 en Strat\u00e9gie d’Entreprise, CNAM<\/li>\n
    • 1993 : Master Lettres, Paris-Sorbonne IV<\/li>\n
    • 1989 : ESAG Penninghen<\/li>\n<\/ul>\n

      [\/vc_column_text][vc_column_text text_style=”subtitle” css=”.vc_custom_1694794423290{padding-bottom: 10px !important;}”]Key experiences<\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1694794451902{padding-bottom: 10px !important;}”]<\/p>\n

        \n
      • Depuis 2009 : Photographe (Artiste-Auteur, Auto-entrepreneur)<\/li>\n
      • 2006 – 2009 : Conseil en oeuvres d’arts du XX\u00e8me si\u00e8cle.<\/li>\n
      • 2000 – 2004 : Attach\u00e9e \u00e0 la Direction G\u00e9n\u00e9rale Chronowax\/Virgin Group<\/li>\n
      • 1996 – 2000 : Attach\u00e9e \u00e0 la Pr\u00e9sidence \u00abEuropean Environmental Press\u00bb<\/li>\n
      • 1994 – 1995 : Attach\u00e9e \u00e0 la direction des programmes, Inter Press Service (Rome, Italie)<\/li>\n<\/ul>\n

        [\/vc_column_text][vc_column_text text_style=”subtitle” css=”.vc_custom_1694794467041{padding-bottom: 10px !important;}”]Author<\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1694794508654{padding-bottom: 10px !important;}”]<\/p>\n

          \n
        • Monographie sur \u00ab Thibaud, sculpteur moderne : Les hauteurs du m\u00e9tal \u00bb (2011)<\/li>\n
        • Documentaire sur \u00ab Donner lieu au monde : la po\u00e9tique de l’habiter \u00bb (2009, Cerisy-la-Salle)<\/li>\n
        • Co-Auteur avec Thierry Kazazian : \u00ab Eco-Design, Il y aura l’\u00e2ge des choses l\u00e9g\u00e8res \u00bb (2003, VE\/PUF)<\/li>\n<\/ul>\n

          [\/vc_column_text][\/vc_column][\/vc_row][vc_row padding_top_multiplier=””][vc_column][vc_column_text css=”.vc_custom_1693238599632{padding-bottom: 32px !important;}”]The originality of Claire Deweggis’s work lies in the balance she achieves between the historical technique of photography and the singularity of a highly plastic, contemporary print. She is both a photographer and an artist, rooted in tradition as well as modernity.<\/p>\n

          Her concern for construction, which plays with architecture and landscape and also makes reference to geometric abstraction, is based on a poetic conviction about the world: the papers she chooses are always fragile and extremely delicate (western, washis, gold leaf, etc.).<\/p>\n

          A fair and demanding work, whose magnetism cannot be fully explained, and for good reason: her works contain the silence and mystery of dream visions, which are always secrets.<\/p>\n

          Claire Deweggis has worked in a number of areas, including writing, nature and painting, but she has finally brought them all together in the alternative form that she has been practising since she was a teenager: photography with its pictorialist echoes.<\/p>\n

          Her shots, from the tiniest pollen to mountain ranges, or her processes using film and paper as transparent, aerial and sonorous membranes, allude more to the senses and perception than to rationalising calculations. She fashions an instinctive, fibrous, silky or crumpled aesthetic in a meditative gesture.<\/p>\n

          Using cyanotype, platinum, palladium, pigments, etching and gold leaf, she brings a sense of permanence and timelessness to her work.<\/p>\n

          In her Venetian work, Claire Deweggis reveals the intimate link between the city and its trees. Venice, a lacustrian city where nature is permanent in the anti-nature. Once the human is out of the way, we realise that the city is the scene of long-standing love affairs, where tree and stone live together, struggle together. Her images have a hypnotic effect of slowness.<\/p>\n

          Her landscape photographic compositions express both lightness and gravity, images in which man is absent, an imago dominated by density and visual abundance.<\/p>\n

          In Claire Deweggis’s work, the plant form unfolds in an attempt to dialogue with the thickness of time, in a range of light and shadow that recreates a sensitive, sensual and dreamlike space.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

          [vc_row][vc_column text_align=”center”][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1694794336421{padding-bottom: 32px !important;}”]Lives and works between Paris and Venice. deweggis.com[\/vc_column_text][vc_column_text text_style=”subtitle” css=”.vc_custom_1691509184667{padding-bottom: 10px !important;}”]Solo exhibitions [\/vc_column_text][vc_column_text css=”.vc_custom_1694794359994{padding-bottom: 10px !important;}”] 2023 : \u00ab D\u00e9nis d’Architectures \u00bb, Paris 2022 : \u00ab Moved \u00bb, Palazzo Morosini del Pestrin, Venise 2021 : \u00ab Paris-Venise \u00bb, Paris 2019 : \u00ab Permanences \u00bb, Paris [\/vc_column_text][vc_column_text text_style=”subtitle” css=”.vc_custom_1694794377038{padding-bottom: 10px !important;}”]Education[\/vc_column_text][vc_column_text […]<\/p>\n","protected":false},"author":1,"featured_media":470,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio_category":[],"portfolio_field":[],"class_list":["post-512","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","grve-entry-item"],"yoast_head":"\nClaire Deweggis - 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